People We Should Know #18 – Itzak Perlman

    

       The most difficult instrument to play in the world has been left to only a small group of musicians to evoke its best qualities and conquer its tyrannical restrictions. The violin, a stringed instrument perhaps most closely tied to human voice and expression, is capable of both heavenly expression and shrieking vocalization.  Performing the works of the great masters has always required a special measure of self esteem with an unruly instrument in which no sound is guaranteed, where the strings may break under the strain, and the entire sound can fall out of key from the climate of the performance hall alone.  The great performers have as a result tended to beimperious titans- Paganini, Heifetz, Oistrakh.  The job of bringing human frailty and gigantic talent together and celebrating it all has fallen to one humanity’s most gregarious ambassadors of music, Itzak Perlman.  Now 66 years of age, Itzak Perlman has provided throughout his musical life a continuous conversation with the public as to the human nature of music, communicated the underlying difficulties in creating great music, and made all of us part of the experience.  His special personality, his common man humanness, has bonded new generations to the ongoing story of classical music, and prevented it from becoming an archaic shadow of a disappearing time.  The great violinist and humanitarian, an ongoing preservationist of some of western civilization’s greatest creations, Itzak Perlman, is Ramparts People We Should Know #18.

     Itzak Perlman is a native Israeli, borne in Tel Aviv in 1945, just prior to the founding of the country, and with his communication and musical skills, one of that country’s greatest ambassadors.  He showed prodigious musical abilityfrom age three onward, and was recognized as a special talent that deserved the best teachers.  His parents saw that he transitioned to the United States to Juilliard School of Music, where he received the attention of a giant in violin instruction, Ivan Galamian, and his assistant Dorothy DeLay, legends in their own field of performance training.  Though many have had significant talent, Perlman’s special personality articulating that talent made him stand out from all others.  Stricken at age four with the vicious effects of polio, which left his lower extremities atrophied and useless, Perlman never showed the slightest willingness to given in to his disability, his personality ebullient and positive in the face of such challenge.  In the modern world, this translated beautifully to mass media.  The young Perlman at age 13, was an early visitor to the Ed Sullivan Show, which for two decades was the formal venue of introduction to America of any emerging, important talent. But this performer was not just a Liberace for the stringed instrument, he was a mountain of talent who rivalled the greats in both playing ability and in his devotion to the craft of performance.  As Perlman entered into adulthood, he and like minded artist friends like Daniel Barenboim, Pinchas Zukerman, and Yo Yo Ma recognized and facilitated the power of television to reach out to a mass audience that would might never enter the concert hall, and with his personality, show classical music to be an approachable form of the human experience.

     Perlman’s ability to tell a story has connected his audience directly to the real life humanity of the composers and the performers who have become famous bringing the composers musical expressions to life.  He has made all aware that the performer is not a perfect machine, but rather one capable of the same emotions as any other human, anxious about difficult musical challenges, desirous of bringing forward certain feelings, wary of their own weaknesses as well as strengths. He has made the listener innately appreciative of the art, as one watches the performer Perlman overcome his disability, challenge himself to bring a unique interpretation to the music, and in the end, revel in and celebrate the soaring accomplishment of the human capacity to create and express in a way that elevates us all.

People We Should Know #17 – Burt Rutan

  

   Something soon and very special is going to occur in the New Mexico desert that will change our relationship to the heavens, and rejuvenate our gene for innovation and adventure.  Sometime after Christmas 2012, a slender, beautiful space craft will take off from America’s first private commercial Spaceport and transport six passengers and two pilots into sub orbit over Earth.  The dream of passenger space travel has been the continuous dream of the adventure driven head of Virgin Atlantic, Sir Richard Branson, and he has put his energy and money behind accomplishing safe and entrepreneurial process to bring space travel to the masses.  With Paul Allen of Microsoft, Branson has brought the heft of private enterprise investment to the challenge, but the technology to make the dream not only feasible but actionable is the brilliance of one man.  Burt Rutan is the genius designer behind the space crafts, and has been for thirty years, one of America’s greatest aircraft designers.  For innovative technological breakthroughs one after another that have changed forever our view of flight, Burt Rutan is Ramparts People We Should Know – #17.

     Burt Rutan has been an aerospace innovator his entire adult life.  Born in Oregon in 1943, Rutan was always interested in flight, graduating with a degree in aerospace engineering at Cal Poly in 1965 and a flight project test engineer in the US Air Force until 1972.  He has always thought out of the box, and has been enthralled with the idea that flight is a right of every individual.  His job has been to try to reduce the complicated engineering of flight into a economic and efficient reality.  He formed his own design company in 1982, Scaled Composites,LLC., which has been the platform for some of the most leading edge ideas in flight over the last thirty years.  Refining the shape and weight of aircrafts using carbon composites, Rutan has produced brilliant  concepts that have influenced craft design ever since.  In 1986, Rutan’s Voyager craft, piloted by his brother Dick Rutan and Jeana Yeagar, became the first airplane to fly non-stop around the world without refueling, accomplishing the task in 9 days.  So revolutionary in design, it became the first of the Rutan vehicles to receive the honor of being retired to the Smithsonian Air and Space Museum, hanging next to Lindbergh’s Spirit of St Louis and the Bell X1 craft, the first to fly faster than sound.  Incentived by the AnsariX Prize, awarded to the designer who could build a craft successful of space flight twice in two weeks, lifting the equivalent of 3 passengers, and reusing 80% of the craft, Rutan produced SpaceShipOne, which in 2004 achieve the prize requirements, and made the concept of private space travel a realistic consideration.  SpaceShipOne is now also in the Air and Space Museum as one of the icons of flight.

     Rutan’s success with SpaceShipOne led to a flurry of activity in a new entity, the private space industry.  The State of New Mexico became the sight of a developed private space port, SpacePort America, 45 miles north of Los Cruces, with capacity for both space travel and vehicle freight launch. Sir Richard Branson, inspired by Rutan’s success, successfully convinced him to partner in a program to bring private space travel to fruition, and Virgin Galactic was formed. With sufficient funds Rutan has progressed his design to SpaceShipTwo, capable of travel for six paying passengers, zero G experience, and controlled re-entry with Rutan’s breakthrough technology of wing “feathering” in which the craft is literally bent in two to reduce the speed and heat of re-entry into the dense atmosphere.  The first flight should occur sometime after Christmas 2012, and it is likely that the next generation of Rutan vehicles will auger in private transportation of the nation’s astronauts to orbital missions.

     Burt Rutan is a classic American success story, devising individual achievements, without the need, and more importantly, without the burden of overbearing governmental influence.  His achievements are stimulating other designers to enter into the competition for the enormous potential of a private space industry.  His carbon composite structures have proven strong and versatile and are the influence behind Boeing’s Dreamliner 787 aircraft that will reduce the expense and improve efficiency in routine passenger flight.  Burt Rutan is a quiet genius that someday will be looked upon as the Thomas Edison of flight, and may offer America an industrial revolution in spaceflight that might finally shake it loose from its recent self induced defeatism and malaise.  Burt Rutan is in the tradition of the American garage geniuses, and takes his place next to the Wright Brothers, Edison, Bell, Cray, and others who utilized the freedom and opportunity unique to America to create a better world.  Burt Rutan is a worthy member of Ramparts People We Should Know – #17.

People We Should Know #16 – Marco Rubio

    

     I have tried to use this particular category People We Should Know for people we should know that aren’t really known, but are positively contributing to the culture, vitality and leadership of western civilization.  I haven’t considered Senator Marco Rubio of Florida for this discussion, not because he is not potentially an exceptional defender of the Ramparts, but because everybody has already considered him a pivotal figure.  I hate jumping on the bandwagon, when there are so many more articulate than I to define this person’s potential.  Well, I am over it.   Marco Rubio is so talented,  so capable of articulating a nation’s future, that avoiding the bandwagon affect is inappropriate for this blogsite.  Thus, Senator Marco Rubio of Florida as a premier defender of the Ramparts is #16 -People We Should Know, and know we must.

     Marco Rubio was born in 1971, making him only 40 years old, and already meteoric in his rise to national consciousness.  The son of Cuban exile immigrants from that island’s communist oppression, Rubio has been immersed from birth in the power of individual performance and achievement to fuel success in America.  A graduate of the University of Florida and a cum laude graduate of the school of law at the University of Miami, Rubio has taken to the American political stage like only a prodigy can.  Briefly serving as a city commissioner for West Miami, Rubio won at 29 a position as state representative with the Florida State Legislature, and by 2006 at only age 35 so convinced his caucus of his leadership skills that he was elected Speaker of the Florida House.  His rhetorical skills were felt to be once in a generation, and uniquely so, in both english and spanish. 

      Rubio determined in 2010 to run for the vacated U.S. Senate seat vacated by Mel Martinez, though it had essentially been assumed to be a “lock” for the sitting Republican Florida governor Charlie Crist.  Crist, a classic fence sitter philosophically, came out in favor of President Obama’s stimulus and Obamacare healthplan, and set himself up for clear debating points by his young primary challenger.  He learned what many will learn over time, it’s not a good idea to challenge Marco Rubio to  a debate of issues if you plan not to get overwhelmed.  A double digit deficit disappeared in a few months as Rubio ignored his lack of establishment support, money, and political organization to go directly to the people regarding Crist’s waxpaper thin “conservative” veneer, and articulate a comprehensive and positive conservative message, demolishing his opponent in the primary.  Crist, hurt by the upstart’s willingness to challenge his “coronation”, and convinced that the conservative base of the Republican party was too narrow to carry Rubio to victory against a “moderate” opponent, stunned his party by abdicating his party and running in the general election against Rubio as an independent.  Bad idea.  The shellacking Rubio put upon him in the general election was immense, and effectively ended Crist’s political career under any banner.

     Marco Rubio as candidate, nominee, and victor has been better than advertised and that’s saying alot.  A base conservative that appeals to the larger population on the strength of his spectacular rhetorical skills, reasonableness of approach, tact, and intelligence is marking a formidable position already in the U.S. Senate.  Senator Rubio has returned the Senate to the world of debate, requiring no teleprompter to articulate a cohesive vision, and understanding the power of words to clarify a position and win over the hesitant believer.  His future in politics knows no ceiling, and those who see him in action know it.  President Obama whose glibness has been proven to evolve from a moving transcript, knows how he looks when he rhetorically wrestles with young legislative lions like Rubio and Paul Ryan, has no desire to find himself like Charlie Crist, a supposedly unsinkable ship dashed on the rhetorical rocks of principle that these men articulate.  We are finally in the presence of some special people, who will not just talk a good game, but walk the walk, maybe saving this great country in the nick of time.

     Hot Air has linked a terrific video that encapsulates all the strengths of Senator Marco Rubio in a single impassioned speech before the Senate, regarding the process of dealing with the debt crisis.  Senator John Kerry decides to take him on, and learns the Crist lesson first hand.  Watch the whole video beginning to end, and wonder if this isn’t our next national leader.

People We Should Know #15 – Michele Bachmann


     The Presidential race’s political landscape over the many years we have been having electoral contests has been littered with shooting stars, could’ve beens, should’ve beens, and circus acts. Every interest group has put forward their shining champion, every celebrity driven individual, their moment in the sun. Many potential candidates in these niches don’t pan out before a single vote is taken, and some fall away from the unceasing derision from the main stream media that feels it has an exclusive obligation to perform in vetting whether a candidate has sufficient “gravitas” for the job as President. Many of these candidates don’t deserve more than a brief moment in the sun. But as most of us who have generally lost faith in the “objective” review provided by the main stream media, two niches of conservatism have been especially derided, the “black conservative” and the “female conservative”. The paint used to color their participation in the process of debate as to the future of this country by the media uniformly places them as “fringe”, “radical”, “uninformed”, or the old standby “dumb”. These shadyingly racist and sexist adjectives are used by a liberal mindset that lauds itself on being above all such prejudicial rationalizations to denigrate legitimate candidates that may present a threat to their view of the world. Coming to mind is the descriptive assault used on Alan Keyes, Barrack Obama’s African American opponent in the 2006 Illinois Senate race and later Presidential candidate, and more recently, and scathingly, Alaskan governor and Vice Presidential candidate Sarah Palin.

     A new “female conservative” has entered the fray, and this one may prove not so easy to undermine.  Michele Bachmann,  U.S. Representative from Minnesota’s 6th District,  presents and entirely new challenge to the liberal paintbrush as an accomplished, highly educated, articulate, savvy, and hard as nails campaigner that just might have the staying power to upset the establishment apple cart and get us to all re-think what “female conservative” is all about.  That is why Michele Bachmann is Ramparts People We Should Know – #15.

     Matthew Continetti in the Weekly Standard provides us with an in-depth introduction to Michele Bachmann in his article, Queen of the Tea Party”.. He underscores Ms. Bachmann’s classic American roots, uplifting story of her life, and sources of her innate activism. The overriding theme of this individual’s life that presents time and time again is Ms. Bachmann’s genetic drive to lead. On almost any front of her life where she saw the need for people to step forward and make a difference she has made the personal sacrifice to put herself forward and get the job done. Her start in politics is legendary as a neighborhood mother that stepped to the podium at a political event to define freedom, and ending up being nominated over the candidate whose nomination the political forum was positioned to rubber stamp. She is of particular attractiveness to Tea Party activists who identify with her stance as an unbending principled conservative in the face of a Washington elite class that has always rewarded ‘knowing your place” and vanilla conservatism. She is an evangelical Christian that holds and unbreakable support for Israel, a country she spent time at a kibbutz in her teenage years. She is impassioned advocate of traditional educational norms, coming into her own in overthrowing Minnesota’s establishment lerch to “non-judgemental” education and collapse of the building blocks of analytic and critical thinking denied the modern primary and secondary education student. She is a strict fiscal disciplinarian in a Washington culture that has come completely off the fiscal rails and threatens the very economic lifeblood of the United States. Most significantly, she is well read, articulate debater who functions extremely well without a teleprompter and is capable of engaging her audience, rather than turning it off.
It is difficult to say whether Michele Bachmann has yet sufficient experience or staying power to take on what is ahead of her in the coming electoral battles. It is yet unclear whether the populist stance she has taken fits the country’s mindset as to what a chief executive should be. What is progressively encouraging for America and health of all our debates on our increasingly difficult problems, is that a generation of talented and decidedly conservative female and minority candidates are coming forward to the debate, and taking on the prejudice of liberal bias. Our problems are best addressed when the consideration of a liberal or conservative philosophy as best suited to address our country’s challenges is predicated on the strength of the argument, and not the superficial cloak used to obscure the leader inside. The revolution to come is not one of policy, but inevitably in the tradition of this country, within ourselves.

People We Should Know #14 – Thomas Sowell

     The battle of ideas between those who believe that circumstances overwhelmingly influence outcome and those who believe that free will can address any circumstance has been the dominant intellectual conflict of western civilization.  In the United States, the conflict was  the test of the revolution and the founders subsequently put together a code of understanding known as the Constitution to limit the capacity of any one interpretation of circumstance from suppressing the individual’s  free will to determine one’s outcome.  Alexis de Touqueville, a french noble visiting the United States in 1831 was amazed to see what had transpired in the few decades since the codification of the Constitution.  He noted the intense religiosity that had at one time consumed Europe lived in the US in an apparent comfortable position with secular free will, that inequalities both economic and societal were transient and interchangeable, and that the individual’s free will to determine his future secured an interest in his society that made it vigorous, democratic, and prosperous.  The collection of observations were published as Democracy in America, and has become one of the most clarifying windows of the American experience that has ever been articulated.  With the twentieth century juxtaposing spectacular wealth and prosperity for so many and persistent poverty and societal conflict for those “left out”, the argument as to what is the best vision for a mature society to secure the greatest good has evidenced itself in titanic intellectual struggles over public welfare, education, economy, war, and individual rights versus responsibilities.  One of the most articulate interpreters of this debate, and one of the foremost thinkers of our time, is Dr. Thomas Sowell.  His clear and consistent rationale for a just society through the ordered expression of free will is a must for any defender of the Ramparts and an extremely worthy position as one of Rampart’s People We Should Know.

     Thomas Sowell was born in rural North Carolina in 1930 in relative poverty at the time of a segregated South.  His mother, a maid with four children, had to deal with the death of Thomas’s father before he was even born, but he had the societal advantage of a matriarchal extended family that pulled together as an aunt and her two grown daughters adopted and raised Thomas.  From such poverty and difficult circumstances, Thomas found a path to self enlightenment.  The family moved to Harlem, where Thomas got the chance to go to high school out of a family where sixth grade had been the previously highest educational achievement.  He had to drop out of the last year of high school due to familial financial difficulties and took various odd jobs to support himself and the family. He eventually was drafted into the Marines during the Korean war, served in a photography unit, and upon conclusion of his service, entered night classes at  Howard University despite lacking a high school diploma. Excellent recommendations from professors and high college entrance exam scores led to him being accepted at Harvard where he graduated magna cum laude in in Economics in 1958, advanced to a Masters at Columbia, and a PhD in Economics from the University of Chicago in 1968.  For the next 40 years,  Dr. Sowell , through his lectures and writing, one of the foremost thinkers of libertarian thought in the world.  In an upbringing and educational path that presaged yet mirrored Barrack Obama, Dr. Sowell came out of the experiences with almost the precisely opposite understanding of the world and our place in it.  He and a group of other black conservative thinkers such as Shelby Steele have helped frame the arguments that are the foundation of conservative thought and defense of freedom that are the centerpiece of any conservative, young or old, today.

     In a far ranging interview with Peter Robinson of the Hoover Foundation, Dr. Sowell discusses his masterpiece of libertarian thought, Conflict of Visions,that outlines the fundamental philosophical conflict of the idea of constrained and unconstrained views of man and his role in his own destiny that are the center of political conflict.  His description of Barrack Obama as the poster-child for unconstrained political vision, given just prior to his election, has become a prophetic and spot on analysis of this current President and the elitist version of the world he and the current left represents.  Watch the whole discussion, and enjoy an old fashioned skill being progressively lost, the articulate framing of an argument, the measured defense, and consistent reliance on evidence.  Its a tour de force that our President will find hard to duplicate on a teleprompter.

People We Should Know #13 – Alison Krauss

     I am not sure what angels look like, but I know what they sound like. They sound like Alison Krauss.

     Alison Krauss is approaching her fortieth birthday this year as the most awarded female performer in Grammy history and a coveted partner with a multitude of performers as disparate as Robert Plant, Yo Yo Ma, and James Taylor who have sought her out to bring her special crystal like clarity to their projects, regardless of the genre. She is a Ramparts selection for People We Should Know for her seminal position as the bridge between modern American and Americana music that has brought to light so many talented musicians and preserved the underpinnings of Americana music, most notably “bluegrass”, to a larger audience of appreciative listeners than ever before.
     Alison is first and foremost a musician of the first order, performing in the lead fiddle position in a band filled with virtuosos, Union Station. The special influences that have created Americana and bluegrass music, the musical traditions of Scotch-Irish, Welsh, and English immigrants, are mixed in with the strains of African American jazz influences, with its improvisational nature, to create the blend known as bluegrass. Bluegrass icon Bill Monroe described it as a “high lonesome sound”, reflecting the rural and isolated nature of the immigrants of Appalachia separated from easy access to the American mainstream. His Kentucky roots led him to call his ensemble the Bluegrass Boys, and with it the formal birth of the American musical genre known as bluegrass. Union Station has raised the standard of play to virtuoso level, with Alison on lead vocal and fiddle, Dan Tyminski on mandolin, guitar, and fiddle, Ron Block on guitar and banjo, Jerry Douglas on dobro, and Barry Bales on bass performing with an unmatched precision and capability. There may not be a performing ensemble currently performing in the United States in any genre as balanced with talent as Union Station. The blending of bluegrass and pop influence by Union Station is non-traditional, but what preserves the connectivity with bluegrass purists is the angelic sixth instrument of the group, Alison’s singing voice. This unique instrument produces a pitch perfect vibrato-less sound like a wind chime, and no one who has heard it live can fail to be elevated on a spiritual plane. The voice was identified by the Coen Brothers as the siren call to color their movie “O’ Brother, Where Art Thou?” with a mythical texture that fit both the distinctly American culture and the ancient Grecian saga comprising the story. The musical score became a best seller, and Alison and Dan Tyminski as the musical stars.
     Alison, born in Illinois of a family with Mississippi roots, studied classical violin, but early on began performing in local fiddler’s contests, and was immediately identified as a special talent. She was invited into Union Station at age 16, and has maintained a twenty year relationship with these superb performers, moving seamlessly back and forth from the band to more experimental solo pop, gospel, folk, and classical performances. She remains a performer with a completely unadorned stage presence, who never fails to capture her audience with her wit and unassuming nature. The telltale sign of her immense talent, however, is the quiet rapture of every audience when she sings, with the complete absence of coughing and stirring while she sings, as if the listener has heard celestial chimes for the first time. Its a special event when she performs, and one I have had the pleasure to experience personally.
     The music she has produced with Union Station, and a very special performance of a song from “O’ Brother, Where Art Thou?” with her trio collaboration with country bluegrass legends Emmy Lou Harris and Gillian Welsh is put forth for your viewing pleasure below. The ever present historical link that connects the modern listener with the very ancient strains of the earliest American immigrants, and the uniquely powerful role that this American performer plays in its preservation, makes Alison Krauss a very special #13 on Ramparts People We Should Know.


People We Should Know #12 – Bernard Lewis

     Since the uprising in Tunisia in November, 2010, the revolutionary fervor in the Muslim world has spread like wildfire through Egypt, Yemen, Bahrain, Libya, and now, Syria. It has caught the West unprepared despite an almost ten year education in the tumultuous strains in the Muslim world emanating from September 11, 2001, through Afghanistan and Iraq. The struggle in the West to respond with a rational and coordinated consensus has its roots in the modern tendency to consider political science over history as the intellectual tool best served to predict an actionable course and satisfactory outcome. Debate revolves around “freedom fighters” and “democracy” as if they had acknowledged similar definitions in the Muslim world to their political expression in the West. One historian has dominated the discussion regarding the ongoing upheaval in defense of historical rather than political interpretations. He is Bernard Lewis, Professor Emeritus at Princeton University and the foremost western scholar on medieval Islam. At 95 years of age, he continues to show prodigious energy and insight regarding the historical perspective of what is currently transpiring in the Middle East and Northern Africa. In an in-depth interview the Wall Street Journal has interviewed Dr. Lewis, and his insights remind us why he is one of Ramparts of Civilization’s People We Should Know.
     Bernard Lewis has been a major contributor to Western thought regarding Islam since the 1950’s. Fluent in twelve languages, he has had unique capacity to delve into Islamic and Ottoman era writings and archives since the time of Muhammad to put together a penetrating view of the Arab and Islamic relationships, psyche, and rationalizations. He has articulated strong opinions regarding the Armenian- Turkish conflict in 1915 and the subsequent massacre, the Israeli Palestinian conflict, and more recently, the rise of what he is credited as first describing as “Islamic Fundamentalism” in the late 1970’s originating in Iran and propagating across the Islamic world over the last 40 years. He was first to make the world aware of Ayatollah Khomeini’s fusion of religious doctrine and political fascism, and later, in 1998, warned the world regarding the then little known Osama Bin Laden’s writings for a means of returning the Islamic Caliphate to a new dominant position through the “ideology of jihadism” and his declaration of war on the United States.
     With his warnings resulting in sorrowful reality with the attack of 9/11, Dr. Lewis has been a frequent consultant to the United States government in an effort to provide clarity to the chaotic aftermath and a potential strategy for dealing with the direct threat radical Islam holds toward Western ideals and security. He is a proponent of firm responses that define western resolve, rather than weak appeasement, as he feels the Islamic psyche abhors signs of weakness as the product of an inferior people. He sees the current conflicts as progressions in what he terms the “clash of civilizations” between Christianity and Islam that began in the seventh century with Islam’s rapid rise and continues to this day.
     Specific to the current upheavals, he applauds the uprisings as a legitimate expression of a suppressed people, but cautions the West not to ‘take sides’ and insist on western versions of democracy and freedom as the means for restoring people’s legitimate rights in these countries. He believes republican expression can provide the rightful provision of people’s economic concerns, educational rights, liberal justice, and societal respect with democracy a mature outgrowthand endgame, rather than the tool of initiation of such rights.  He notes that fascist governments have achieved power through legitimate democratic processes when the societies were not sufficiently evolved and this is a obvious risk currently in the promotion of Hamas and Muslim Brotherhood as “democratic” parties.  He is most concerned with Iran’s fixation with the messianic story of the Twelfth Imam and Iran’s frequently stated goal to apocalyptic ally eliminate the state of Israel, with the device being atomic weaponry.  He notes that the concept of mutually assured destruction the prevented the ultimate cataclysm between the Soviet Union and the United States in the Cold War provides no element of deterrence to a society in which the achievement of death in a religiously inspired jihad is the purest means to achieve paradise. 

     We are in a significant historical period with far reaching consequences, and people like Bernard Lewis offer sage advice to the protection of the concepts of freedom, equality, and liberal thought that we hold so dear.  A significant part of the world is trying to find its means of expression of those concepts, and we should be very careful that we are constructive in our actions, or a dangerous darkness has the potential to descend upon us all.

People We Should Know #11 – Eva Cassidy

     Sometimes the brightest flames shine for the briefest time. Life is funny that way. A virtually unheard of songstress named Eva Cassidy has become one of the all time leaders in album sales for solo vocal musicians with essentially all the music sales occurring after she died at the incredibly unfair age of 33 years of age. Toiling in essentially complete obscurity in small clubs around Washington DC in the 1990’s, Eva produced a few recorded sets of music that represent our only available record of her brilliant versatility in the entire lexicon of song music, regardless of the genre. At a point where it looked like a wider public may finally recognize her talent, she took ill, and past from our view in a few short months. A solitary melanoma removed from her back three years prior, had metastasized and spread virulently and ruthlessly throughout, and the woman known as the Songbird was extinguished.

      Eva was borne and spent her entire brief life in the Washington DC area, but her song interpretation was innate and universal.  A talented self taught musician, she understood the instrument that was the human voice and brought out all its capacities.  She therefore showed an amazing range that included the ability to sing gospel, jazz, country, and popular music with equal skill, and an interpretative quality that made unique the most well known songs.  Her treatment of Harold Arlen’s “Somewhere Over The Rainbow” made her an ‘overnight’ sensation in England several years after her death,  and is achingly beautiful and respectful to the wistful melancholies of the music and Yip Harburg’s lyrics.   She could additionally ramp up her pace and swing in the best traditions of Ella Fitzgerald and Peggy Lee without mimicking them, as appreciated in songs like “Cheek To Cheek”.   She had a spot-on higher range that allowed her to drill notes in the way of the great gospel singers without sounding  harsh.  She was simply a magnificent musical vehicle for the Cosmic American Sound that had we had any more time to appreciate, may have put her in the pantheon of the short list of singers we turn to when we think of the great interpreters of that songbook.

     Eva Cassidy gave us a special gift , recording her concert at the night club Blues Alley in the Washington DC area  just a few months before her death in 1996.  Thankfully some video exists that helps us to appreciate the depth of her genius.  When we listen, we are not ready but are inevitably drawn, like a moth to the light, to the brillant comet trail that was Eva Cassidy’s art.


People We Should Know, #10 – Alicia De Larrocha

     Music is a universal medium that immediately explains the unique colors and emotions of all of humanity in a way no other language could. What separates us in our dialects, grammatical contexts and difficult verb tenses and behaviors, is brought together by the brilliant translators of the language of music. One such legendary translator was the diminutive bundle of piano genius, Alicia De Larrocha, and one of Ramparts’ People We Should Know.
     Alicia De Larrocha was a magnificent interpreter of a wide spectrum of classic music, but what she brought to the world more than anything was a appropriate recognition of the under-appreciated works of composers of Spanish dialect. Prior to artists like Segovia and De Larrocha, the streams and colors of music consciousness that reflected the Latin psyche were interpreted by foreigners with only superficial grasp, such as Rimsky Korsakov’s Capriccio Espanol or Edouard Lalo’s Symphonie Espagnole. De Larrocha, proud of her Spanish heritage and immersed in the two thousand year latin vein of culture, promoted to appropriate status superb Spanish composers such as Isaac Albeniz, Enrique Granados, and Manuel De La Falla to an appreciative public who recognized the unique rhythms and musical pallet than can be created only by those who are intimate with the cultural identity.
     De Larrocha was born in Barcelona, Spain in 1923, the daughter of pianists, and took to the keyboard instrument with such visible talent that she publicly performed at age six and was a concert pianist by age eleven. Under five feet tall and with tiny hands, typically a physical barrier to performing the great piano works, De Larrocha used her special flexibility and reflexes to conquer the works of titans such as Beethoven and Rachmaninoff to the enraptured satisfaction of audiences worldwide. Once she established her credentials as a leading virtuoso of the keyboard in the twentieth century, she took advantage of the limelight to expose the listening public to the works of Spanish composers and helped create a renaissance in appreciation for Spanish culture at a time when the mighty reach of Spain had crumbled to backwater status in Europe.
     The works of De Falla, Granados, and Albeniz are now an essential impressionistic part of any modern pianist’s recital repertoire. Alicia De Larrocha’s performances are the standard to be compared against with her perfect rhythmic balance of the peculiar off beat dangers of the Spanish dances such as the tango and her understanding of the unique cultural Spanish tensions created by underlying Moorish influences. The size of the musical picture painted by De Larrocha’s tiny hands is a juxtaposition only a savant can create, and tiny De Larrocha easily stood with the giants of her time, Vladimir Horowitz, Artur Rubenstein, Rudolph Serkin, and Edwin Fischer, and Claudio Arrau.
     Alicia De Larrocha was a eminent ambassador of Spain, promoting the binding nature of music the world over. Her death in 2009 silenced a tiny but powerful force for good and healing in a world that fights every day to understand each other, and her vitality in that calling lives on through her wondrous music.

People We Should Know #9 – Daniel Hannan

     Since the 1950’s, when  Great Britain, beset with the crushing debt and physical exhaustion of having fought two massive wars in twenty years, voluntarily gave up the mantle as a a world leader, the country has been in a steady decline in creativity and influence internationally. This is a natural consequence of the progression of an inward looking population that has become more concerned with personal security than industriousness.  This process  has certainly been accelerated by the willingness of the United States, a country Great Britain shared common foundations with, to accept the mantle of military and economic superpower that was once Great Britain’s.   The country that helped to create legal process,  educational capacities, the industrial revolution, scientific progress with Newtonian physics, the discovery of the atom and penicillin, has spent the last fifty years concentrating on the balance of a nations resources and its comfort.

     This is not to say that Great Britain has given up on one very special attribute that is uniquely British, the special skill of articulate debate.  The British educational system continues to produce informed thinkers who are not afraid to express their opinion in a fashion of structured argument, with the bombast left for others.  Daniel Hannan is a rising star of this school of debate, and a Person We Should Know.  Born in Lima, Peru to an English family, but educated through British bastions of Marborough College and Oxford, his diverse exposure to the world has led him to be both multi-lingual in English, French, and Spanish, and thoroughly aware of the various structures of government and social policy that define the western experience of the twentieth century, and equally comfortable with the intellect and rapid response required of the tradition of British debate.  At the young age of 39, he has already served his southeast English district in British Parliament for a decade and as a conservative representative in the European Parliament since 2009.  He is a modern interlocutor, using the internet as a podium for intellectual outreach and discussion. He holds strongly principled belief in the damaging role bureaucracy plays in societal progress and economic development, and has been a strong opponent of European integration and socialist instincts.  He has been especially forceful in his arguments for privatizing reform of the sacred cow of the National Health Service in the United Kingdom, which he blames for low survival rates in cancer and stroke treatments, poor hospital conditions, and inexorable waiting lists for procedures.  He is a strong supporter of American leadership of the free world as the world  in his view continues to be threatened with forces of fascistic suppression of individual rights and opportunity, for so long held back only by American willingness to confront far flung dictators and  stand for free markets and individual rights.  He is seeing now, however, a progressive fatigue building in America to replace individual industriousness with collective security and a retrenchment from world leadership responsibilities similar to  what Great Britain went through a half century ago, and demands are attention.

     In an important book recently published,  The New Road To Serfdom: A Letter of Warning to America , Hannan decries the insidious creep of socialist tendencies in the American legislative process and outlines the learning lessons for American in mistakes British Parliament has already made with similar decision points and their effect on British life.  How apropo this book is in watching the current struggles in Wisconsin, New Jersey  and other states to corral forces that would drive the United States into the obligations of cradle to grave guarantees that have so corrupted the flexibility of European political processes to deal with new challenges.

     Whether in full agreement or not with British thought, Hannan is one of a growing set of modern debaters such as Paul Ryan, Boris Johnson,  and Chris Christie that bring their considerable intellect to bear in a strong cohesive argument for stopping western societal decline and self induced economic suicide.  The sad fact of modern debate is that conservative minds are progressively the deliverers of constructive and complex thought and so called liberals the defenders of reactionary chants, fact suppression, and name calling. Where is our modern John Kenneth Galbraith?  Certainly not hiding in Illinois…